Creating a Comic

Bombing, killing, and other occupational hazards

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I'm your host, CJ Alexander.
This is my blog about breaking into stand-up comedy.


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(I’m filing this under Overheard Backstage but it’s really more of a Witnessed Backstage…)

The worst case of stage fright I’ve ever seen was by an open mic rookie at Giggles. He was a scrawny, bespectacled college kid who might charitably be described as socially awkward — at a later open mic he would make a punchline hinge on a reference to Vogon poetry, if that tells you anything (note to non-nerds: be glad that it doesn’t).

Anyway, he got a spot on the list and then, clearly a bundle of nerves, proceeded to stomp a pacing trail into the carpet along the back hallway, muttering to himself and avoiding eye contact with everyone. So far, this wasn’t too out of the ordinary; I remember doing something similar when I popped my open mic cherry. Then, suddenly, he B-lined for the bathroom, and those of us nearby heard violent, explosive vomiting noises. A subsequent trip to the bathroom revealed that he hadn’t successfully made it to the toilet before ralphing. The stall was a putrid, barfy mess.

So this poor unkempt kid, whose grooming habits weren’t exactly those of a GQ cover model in the first place, was now covered in sweat, shaking violently, and reeking of puke. That’s pretty bad, but it was what happened next that catapulted him past the pretenders and into the Stage Fright Hall of Fame.

After his name was called, he haltingly made his way up to the stage. He went to take the microphone out of the mic stand, but at this point he was shaking so violently that he accidentally smashed it into his nose — which then started to bleed uncontrollably. He said a few incoherent words into the mic before realizing that blood was gushing down the front of his face, at which point he simply dropped the microphone and scampered off the stage, whimpering and bleeding through the hands clutching his nose and mouth.

While the next comic made his way up in front of the stunned crowd, the kid raced back to the bathroom and into his previously-befouled toilet stall. His efforts to staunch the bleeding in an orderly fashion were profoundly unsuccessful, and to the other bodily fluids deposited earlier, he added bright red globs of blood. After his second visit, that toilet stall looked like someone had gone in there and dynamited a bucket of afterbirth.

To his credit, he did come back and try again a few weeks later, though I haven’t seen him since then. But I still think about him sometimes, because he certainly helped to put my own pre-stage butterflies into perspective.

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Rich emotions are like humor fertilizer: they provide a fertile (if sometimes disgusting) breeding ground for beautiful flowers of laughter to blossom. Whenever writing a joke or funny story, remember that emotional conflict is good for comedy.

In fact, every joke is basically a short story — even one-liners — and our strongest, most visceral reactions come when we relate to the emotions behind the story. That’s why puns and other straight-up wordplay merely makes us chuckle, while someone making an absurd fool of themselves can unleash our bladder. Try to heighten the emotional conflict wherever possible.

I was recently in a brainstorming meeting with a group of talented local comedy writers and actors, preparing for an upcoming comedy show that will include live sketches. Eventually the time came for the writers to divvy up rough draft assignments from the sketch ideas on the whiteboard.

The premise for one of the sketches was Parents fighting at a toddler’s birthday party and using silly euphemisms instead of curse words. The writer who volunteered to write it made a comment that assumed the parents would be divorced. “Oh, I didn’t think they’re necessarily divorced…” said the person who originally pitched the idea, and we proceeded to have an interesting back-and-forth about whether or not the parents were, for the purposes of this sketch, divorced.

To me the answer was blindingly obvious: of course the parents are divorced! Think of all the emotional shorthand you get to cram into the setup with just that simple detail — the seething resentment, the bitter history with the extended family, the conflicting prerogatives for the future1. There are so many jokes and insults available for a divorced couple who hate each other that simply wouldn’t work for a married couple who has to go home together at night. It might not be pretty, but it sure can be funny.

  1. Yes, there are plenty of perfectly amicable divorces that don’t involve any of this — believe me, I know — but we’re painting with a broad brush, here. []
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MTV has stopped pretending they still show music, removing the words “Music Television” from their logo. Of course, MTV these days has about as much to do with music videos as AT&T has to do with telegraphs (that’s what the second ‘T’ stands for). But as with AT&T, the initials will stay the same for branding purpose, their true meaning hidden in plain sight.

Can I just say, though, that this quote belongs in the PR Flack Hall of Fame:

“The people who watch it today, they don’t refer to MTV as music television,” the net’s head of marketing Tina Exarhos said in a statement. “They don’t have the same emotional connection that, say, the people who are writing about [the logo change] do.

Translation: “Go ahead and make your snarky comments, journalists — if you don’t mind looking like a bunch of out-of-touch old fogeys!

It’s the kind of brilliant pre-emptive strike that would give Dick Cheney a boner.

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In the very near future1, Giggles Comedy Club will come under new ownership. Unfortunately, signs point to the club being either closed or turned into an entirely different kind of establishment — which means my April 2nd and April 3rd shows in the Giggles Laugh-Off Competition could be your last chance to see me perform there.

It’s also your chance to help earn my undying gratitude and devotion, because:

  • The audience does the voting! Everyone who comes can vote for their three favorite comics, so my fate is directly in your hands.

  • I’m using the weekend to record my ten minute demo video, and a friendly audience would be a huge help.

There are nine comics competing that weekend, and several of them are comedy powerhouses who’ve been doing stand-up for many years. I have no delusions about my chances to win my weekend — I have no chance — but a strong score against seasoned competition could really give my comedy career a boost. I would really love to come in the top five. I think this is achievable, with a little help from my friends.

Giggles Comedy Club
The future of Giggles is very uncertain.
Don’t miss this chance to go!

I’ve been writing this blog for nearly a year now, and in all that time I have mentioned a few of my upcoming shows, but never begged for a crowd. Well, my Internet friends, I am now begging. There are four shows to choose from at 8pm and 10pm on both Friday, April 2nd and Saturday, April 3rd. Please choose one of those four shows, and come help me make my last weekend at my home club a memorable one!

  1. Specifically, May 1st, 2010, after the Finals Round of the Laugh-Off. []
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When writing a joke, or any other humorous material, try to arrange your punchline in such a way that the funny word goes last.

This is an old axiom among TV comedy writers, and it applies equally well to stand-up comedy. Since the key element in humor is surprise, leaving your funniest and most surprising word until the very end gives your joke the most punch. And you want your punchlines to be as punchy as possible, right?

If you have a joke or story that ends with “and he was eighty-three years old,” for example, drop the unnecessary “years old” at the end. The funny part is that he’s eighty-three, so just end with that.

It’s not always as simple as cutting excess words; very often it’s necessary to rearrange the story in order to put the funny word last. For example…

“I tried to shield my junk, but her kick was too fast for me to block!”

…is notably inferior to:

“And then, out of nowhere, she kicked me right in the junk!”

Junk is a just plain funny word, so that one’s pretty self-explanatory. However, sometimes the funniest word in the punchline isn’t inherently the goofiest word, it’s the word that packs the biggest surprise. I have one punchline that I originally told as follows:

Everyone knows that when you’re on vacation, (stuff) doesn’t count as gay.

Out of context, gay is the funniest word in that sentence, so it wasn’t an entirely stupid mistake on my part. But the funniest part of the joke is actually the word vacation, because that’s where the surprise is embedded. I started getting bigger laughs when I rearranged the punchline to:

Everyone knows that (stuff) doesn’t count as gay… when you’re on vacation.

Sometimes getting the funniest word to the very end requires mangling your point beyond grammatical recognition. Making sense is more important than strict adherence to this rule, so in those cases, just get it as close to the end as possible. Make sure the funny word is in the very last sentence clause, at least.

And remember, if all of your punchlines rely upon extreme vulgarity in the “funny word last” spot, then they’re probably not real punchlines, and you’re probably just being an unfunny foul-mouthed motherfucker.


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