Creating a Comic

Bombing, killing, and other occupational hazards

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I'm your host, CJ Alexander.
This is my blog about breaking into stand-up comedy.


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I felt like I had a pretty good set at Laughs Comedy Spot last night. One of the best thing about Laughs is that they don’t restrict the type of content that comics can perform, and I had a new bit that I wanted to try out that’s pretty damn blue1. So I dropped it into the middle of my routine, and, because it was new, flubbed it a little. The first punchline got a good laugh, but then I accidentally skipped an important setup line, and it all soon hit a brick wall.

This is not at all uncommon when trying out new stuff, no matter how long you’ve been doing comedy. For me, as recently as a few months ago, having a couple jokes bomb in a row would have caused me to crash and burn like some sort of humor Hindenberg. Thankfully, I have just enough experience on stage that I didn’t totally lose my brain, and I followed a strategy that had been passed on to me by veteran comics:

Always put new material in the middle of the set, sandwiched between proven material.

The reason for this is largely psychological. An audience will form two impressions of a comedian that matter:

  1. A first impression. This is why your opener should be strong, to get the crowd on your side. Building this reservoir of goodwill will then lead them to be more forgiving if you happen to stumble later on in the set.
  2. A lasting impression. 90% of what an audience will remember about your act afterward is based on the material you close with. That’s why a comedian usually saves their best joke for last.

It also helps to come out of divebomb with a short joke, one with a quick setup and punchline that you know will get a laugh. Even a small laugh will get the audience back on your side and remind them why they’re rooting for you. Then if you close big, the stinkfest in the middle of your act will be all but forgotten. Even if some new material goes off the rails, you can come back and end up having a really solid set.


Related entries in Creating a Comic:


  1. It’s a routine about spitefucking, and the F-word is verboten at a lot of open mics. []

4 Responses to “Working new material into a stand-up set”

  1. [...] Sandwich new material between proven jokes. Discussed in a previous entry on working new material into your set. [...]

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  2. [...] mistress. Until you get up on stage and put it out there for the audience’s consideration, new material is nothing but words on the page (or in your head). The audience is a harsh mistress(artist’s [...]

    How to tell if new material is any good | Creating a Comic

  3. [...] Working new material into a stand-up set [...]

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